主講人: Lisa Fornhammar (德勒斯登新音樂創新聲樂技巧與詮釋客座教授、國際長)
日期:2025.12.08(一)
時間: 13:30~15:10
地點:北藝大音樂一館M102
※北藝大聲樂、作曲組必到
※歡迎有興趣者到場聆聽
Lisa Fornhammar is a versatile singer, educator and researcher who has made a name for herself with an extraordinary artistic range and innovative teaching approaches. She completed her vocal studies at the Opera Studio in Stockholm and in Lied singing at the Mozarteum Salzburg under the direction of Hartmut Höll. Her repertoire includes works from the Baroque to the contemporary avant-garde and ranges from Bach’s cantatas to Ligeti’s Mysteries of the Macabre to demanding opera roles such as Konstanze (The Abduction from the Seraglio) and Olympia (The Tales of Hoffmann).
Engagements have taken her to renowned opera houses and stages, including the Norske Opera Oslo, the Finnish National Opera Helsinki, the National Theatre of Iceland in Reykjavik, the Prinzregententheater Munich, the Leipzig Opera, the Chemnitz Theatre, the Lucerne Theatre and the Bern City Theatre. In addition, she has made guest appearances in important concert halls such as the Elbphilharmonie Hamburg, the Cologne Philharmonic and the Konzerthaus Berlin.
A special concern of hers is the promotion and interpretation of contemporary music. She has worked closely with renowned composers such as Kaija Saariaho, Lisa Streich, Fabien Levy, Isabel Mundry, Helmut Lachenmann and Violeta Dinescu and has premiered numerous works.
In addition to her artistic activities, she is an internationally sought-after educator. Since 2007 she has been teaching New Music Performance Practice at the Mozarteum Salzburg and since 2020 singing as a central artistic subject in the Master’s programme in New Music. In addition, she has worked as a lecturer at the Leipzig University of Music and Drama and at the Berlin University of the Arts. She regularly shares her pedagogical expertise in guest lectures and master classes at leading institutions, including the Berlin University of the Arts, the Bern University of the Arts, the Stuttgart University of Music and Performing Arts, the University of the Arts Helsinki and the Bari University of Applied Sciences.
Her scientific interest is in experimental tuning techniques, innovative pedagogical concepts and curriculum development in the field of studies in the field of music colleges. Her research results have already received international recognition, including the publication of the scientific article “Measuring Voice Effects on Ingressive Singing” (2020, Journal of Voice), together with Michael Fuchs, Johan Sundberg and Lennart Pieper. The article “Towards a Collaborative Higher Music Education Curriculum: A Singer-Composer Duoethnography” will soon be published in Nordic Research in Music Education. She is currently in the final stages of her PhD at the University of the Arts Helsinki on these topics.
Since 2023, Lisa Fornhammar has been a visiting professor for innovative vocal techniques and modes of interpretation in New Music and heads the master’s program in New Music at the Dresden University of Music. In 2024, she was appointed as a member of the Saxon Academy of the Arts.
Later this year, she will be heard in the German premiere in a portrait concert of Lisa Streich’s “Mignon Songs” at the HfM Dresden, with Hinrich Alpers, Professor of Piano – a special example of lived artistic transdisciplinarity, in which the pianist also sings and the singer also plays the piano.