主講人: Asmati Chibalashvili (Composer, researcher 作曲家、研究學者)
時間:18:30~20:10
地點:北藝大音樂一館M218教室
※北藝大作曲組必到
※歡迎有興趣者到場聆聽
- 講者簡介：
Asmati Chibalashvili is a Ukrainian composer and researcher (PhD in Art Studies; Senior Researcher). She is Deputy Director for Research at the Modern Art Research Institute of the National Academy of Arts of Ukraine and an Associate Professor at the National Music Academy (Kyiv), and a member of the Ukrainian Composers’ Union. She studied composition with Prof. Karmella Tsepkolenko (Odesa) and completed postgraduate studies under Prof. Yevhen Stankovych (Kyiv). Her work combines composition and research, focusing on intermedia practices, contemporary Ukrainian music, posthumanist perspectives, and the artistic documentation of social crises. Her music has been performed at international festivals, including World New Music Days (ISCM), Two Days and Two Nights of New Music, Contrasts, and Kyiv Music Fest.
- 講座內容簡介：
The lecture “Trajectories of Compositional Approaches: From Intermediality to a Research Method” offers an overview of key compositional methods in Ukrainian music from the late twentieth to the early twenty-first century, viewed through the prism of an individual creative and research journey. The point of departure is the issue of conceptual synthesis in chamber music, which makes it possible to trace how intermedial and audiovisual practices gradually evolve into an approach in which composition emerges as a form of artistic research. Special attention will be given to pedagogical and creative influences. The context of Ukrainian composers of the “Sixtiers” will also be discussed. A separate section will outline the approaches of the “new wave,” ranging from genre- and form-building solutions to electroacoustics, new instrumental resources, and intermedial formats. The lecture will take the form of a presentation with listening examples from selected works, helping composition students develop a coherent understanding of major trends in contemporary Ukrainian music.本講座〈作曲方法的軌跡：從跨媒介性到研究方法〉將透過講者個人的創作與研究經驗，介紹二十世紀末至二十一世紀初烏克蘭當代音樂中重要的作曲思維與方法。講座從室內樂中的「概念整合」談起，說明跨媒介與視聽創作如何逐步發展，並延伸為將作曲視為一種藝術研究的實踐方式。內容也將分享影響講者創作與教學的重要脈絡，並介紹烏克蘭「六○世代」作曲家的歷史背景與其對後世的影響。此外，講座將概述「新世代」作曲家的多元創作方向，涵蓋體裁與形式的建構、電子聲學、新器樂資源，以及跨媒介創作等面向。講座將以簡報搭配作品聆聽的方式進行，協助作曲學生與對當代音樂有興趣的聽眾，建立對當代烏克蘭音樂發展脈絡的整體認識。